The Simple Truth

The question for this enquiry asks: Does Moral Action Depend on Reasoning?

The enquiry follows:

Any problem can present different, even multiple objectives.  One objective will always be concerned with the structural issue presented, others may claim independent issues.  If “moral action” is involved, one objective will be concerned with what we can call for the purposes of this discussion, “morality”.  

The question assumes that if morality is involved then a dilemma may be present.  There is a problem to resolve but there may be conflicting objectives, both of which claim  priority under their own rules.  Each of these objectives can be rationally analyzed with respect to their own requirements,  that’s true - however those resolutions may still balance on a large degree of implied or accepted fantasy, and much of the reasoning that is involved may ultimately be found to be superficial.  How can we tell?

Logic is sound.  It makes sense.  It is perfect; it has to be.  It challenges itself and it proves itself, it constantly self-corrects.  But it cannot reach beyond itself.  It cannot be influenced by that of which it is unaware.  Morality, on the other hand is based on spiritual or emotional concepts.  It can “hear” that which cannot be said, can “see” that which is not visible, and can be influenced by underlying impressions of which it is not completely aware but which it senses in dimensions beyond its ability to  comprehend or describe in terms of logic.

Logic can be taught.  It is factual, it can be tested and proven or not.  Morality cannot be taught.  It can only be transmitted.  It cannot be tested, not by logic. Not all people are even aware of its existence.  A person walking a dog is totally unaware of the universe of smells through which the dog walks and which tells the dog of delights around the next corner or of terrors lurking behind the bushes.  His human escort plods along, perhaps “lost” in some errotically-intellectual conversation with himself.

A person might decide the best action to achieve his purpose would be to cheat someone else.  But if he believes a higher power will punish those who cheat others, then he might not cheat that person in order to not incur the wrath of that implied higher power.  That would be action based on “reasoning”, even though the premises for that reasoning would not itself be based on any form of absolute logic, but on a logic-like system developed to “prove” a moral, but still basically illogical, requirement.  In other words, it would be placing a framework similar to logic onto a construct of fantasy, then “proving” a desired point by using fantasy in a logical-like manner.

So.  Moral action, or action directed to achieving a moral objective obviously IS based on reasoning. The answer to that question is a definite “yes”.  But - that is not the real question which will lead us to the Simple Truth. The question we need to ask - and answer - is this: Is reasoning which leads to moral action based on logic or is it based on some other form of  knowledge?   

This line of conjecture now leads us a bit farther.  The confluence between logic and morality, or any other artificial but cohesive and imposed "rules" or "laws", will create a disturbance.  These non-logical rules and laws create a special type of knowledge or logic system which can be called “faith” or "revelation".   Faith can take the form of a theological creed, an obsessive madness, or that of an Einsteinien dream, all of which provide a form of  revelation or illogical knowledge which is not fully comprehended by the possessor of that revelation because it is a partial knowledge of a much larger universe which is denied to its owner by reason of the limited reach of his tools of logic.

As a person continues to learn and expand his intellectual horizons, he or she will find that logical knowledge alone will provide only greater access to the mental “cage”  which he has constructed and in which he has chosen to live, while at the same time barring access to the greater worlds which lie in abundance around that “cage”.  The borders of the “logic cage” can be expanded, but since they require “proof” and “facts” and “answers”  that fit together, it is a laborious process.  Remember it took Einstein more than 35  years to “prove” his theory of relativity which he had grasped instantly in a dream.

Logic is only a tool.  It is like a hammer or a skillet or a canoe paddle.  If you want to travel, you will use your canoe paddle, and you can go to and see a lot of amazing things.  But if that is the only tool you have for travel, then you are very limited in where you can go.  If the only tool you have is a hammer and you need a saw, the hammer will not do.  You will have to acquire a saw or ask a neighbor for help.

The same applies to questions leading to the Simple Truth.  If logic is the only tool you have to explore questions, some of which will be beyond the scope of logic, then you will have to either acquire knowledge of other understandings or ask someone who may be a bit farther along than you are in that "faith" to help you explore those new worlds which lie in abundance around each one of  us.

LIGO With Dr. Cavaglia at Catawba Science Center in Hickory, NC

Dr. Marco Cavaglia, a LIGO researcher and associate professor of physics and astronomy at the University of Mississippi, spoke tonight at the  Catawba Science Center about the Laser Interferometer Gravitational-wave Observatory.  This is a revolutionary new kind of telescope designed and built to observe, for the first time, ripples in the fabric of space-time believed to be caused by massive cosmic events. 

Between 40 and 50 people attended his presentation in the Millholland Planetarium.  Basically it was a poor slide show in an inappropriate place for a slide show, but Dr. Cavaglia still presented a very good program.  I liked the way he asked questions about the issues involved, discussed problems that were encountered and showed how important breakthroughs in research made the building and work of this extended observatory possible.


He was available afterwards for discussion, conversation and questions in a cafeteria with finger food, soda, beer and wine.  One of the things I learned is that the mirrors for the Hubble Space Telescope were made here in Hickory. By Corning.  That's good.  Things are looking up. 

Matthew Fox in Charlotte

Myers Park Baptist Church last night hosted a large audience (I don't do estimates) who gathered to watch, listen to and question Matthew Fox.  He was a Catholic priest for 34 years until Cardinal Ratzinger, now Pope Benedict XVI, ex-communicated him for Fox's  published ideas supporting equality of women in the priesthood, acceptance of homosexuals, and the BIG problem of often referring to God as a "She" (complete with capital letter, of course) and sometimes speaking of "God the Mother".

Fox has since been accepted by the Episcopal people as a priest.  But his real work is in his books which now number about 28 and his speaking engagements like this one tonight in Charlotte.

Basically, Fox made a number of points.  I got these:  1)  Jesus never heard of original sin.  2)  "Original Sin" is a concept developed by religions to suit their purposes, subjugate their people and keep women in their place. 3) Jesus was not a Christian. 4)  The bible is a book for us to read, and so is Creation (that is the world - including its plants, animals, people and the planet itself).  It also is a book for us to read.  One of those books was written by people a LONG time ago in different languages, for various purposes.  The book of Creation is updated daily. 5) A mystic must make room in his heart to express awe for the wonders of this creation    6)  Praise is the prerequisite to man's understanding. It precedes faith.  7) Praise is the "Original Blessing" which he contrasted with the religious concept of "Original Sin", and it comes from God THROUGH us. 8)  To thoroughly understand God to the point of "domesticating" God is to make an idol of God.  9)  We need new forms of worship today. 10) "Wisdom" was the name of one of the the great Goddess.  She is still alive today and the church has been unable to destroy her.


There was more.  That was what I got. Matthew Fox is not a voice crying in a wilderness, he is part of a great choir singing a new song about new heavens and new earths.  One of the greatest explorations in the history of the world is not the conquering of unknown lands, or the interrelationship with people other than your own kind,  or even the exploration of outer space.  It is the meeting of mankind and God -  the establishment of a "dialog" between these different aspects of both God and us, and a continuing awareness of the wonders which are streaming upon us constantly and which we too often either ignore or destroy.

Cabaret. Hickory Community Theatre. Hickory, NC.

Cabaret - by Hickory Community Theatre tonight in Hickory, NC. Spooky. 


Chills ran up and down my spine as I watched Berlin in 1930 and compared it with the United States of 2010. Two groups of people were represented on stage tonight, those who were ignorant, happy and carefree, and those who were committed to solving the problems of the world because they knew the causes of all those problems. Warnings were everywhere - and nobody paid attention. Those who began to ask "Hey?" were either ridiculed or told that this was nothing unusual.  


The only survivor of things to come was the supernatural-seeming character called the Emcee - marvelously played by Andrew Turnbull.


We stopped over at Old Hickory TapRoom for a beer and chips after to talk over the feelings we had.  I was grateful for the effect the arts have to record and transmit feelings.  I also have lamented the dropping of arts programs across our country in high schools and colleges.  Then I thought of that old saying - "First they came for the gypsies, then the homosexuals, then the communists . . ",, and then I thought "No, FIRST they came for the arts, THEN they came for the gypsies . . . 

John Feinstein Visiting Lenoir-Rhyne University in Hickory, NC

Lenoir-Rhyne University kicked off its current series of Visiting Writers for its twenty-second year, and punched a long one right through the goal posts.

John Feinstein (FINE-steen), came to the P. E. Monroe Auditorium on the LRU campus for a 7:00 p.m. showing on 10 September, 2010.  He talked about his most recent book, his twenty-fourth, Are You Kidding Me?  And with impressive teamwork by his interviewer, Mike Collins from WFAE, Charlotte Talks, they covered many of the other works Feinstein had written, two of which  were the two top best-selling nonfiction sports books in history.   

It quickly became obvious that Feinstein loves his work.  He appears to have been designed in some otherworldly Human Creation Factory expressly for the job he does now.  His love for his art shows in the fun and joy seen in his constant laughter and sudden displays of shock and disbelief at the memory of some of the things he has reported.  

It is also highlighted by his cascading displays of unfolding memories about almost any event that was brought up in the discussion with his host or questions from audience members.  Now, true - he disparaged his memory, saying that it has failed him time and again.  When Collins challenged that statement, Feinstein gave an example:  once when Sxhvy Koibnhe of the Phillies hit a home run, he said, on a 3-2 count, swinging on an inside breaking high curve ball thrown by Rjnsdiu  Cokejrhh of the Cjhdgwuu Sox - who had come in for relief of Hgohgd  Iopjslfgkfid in the 7th inning, he - Feinstein - had remembered that as having occurred in the 9th inning, but Xdjlfiwe Jkdldujfj, who used to work for the Lileu Nkdkj Times before he went to FNDB, reminded him that had actually happened in the 8th inning!  And that happens, Feinstein said, “all the time”.  

He has  talked with, and came to know well, a stupendous number of famous sports personalities.  It is almost as if meeting with Feinstein has become a threshold indicating arrival into the big time of sports.  Listening to him in this interview was like encountering a time machine that has accumulated and is now presenting for your amazement some of the major personalities of sports since 1977, including John McEnroe, Michael Jordan, Bobby Knight, Tiger Woods, Red Aurebach, and - well - I’m afraid that is not even a good representation - but John Feinstein has stories about all of them and many many others.

So - in short, if you get a chance to see John Feinstein in person, don’t miss the opportunity.  We had an hour and more of discoveries, surprises and a lot of laughs.  He is impressively quick witted and will amaze you with details that you may have already seen but didn't understand what they really meant - until now. And while you are waiting for him to show up in your area, remember that he has written twenty four books so you can enjoy him on your next trip or vacation, or just have him available to brighten up a rainy day or a dark lonely night.  The people he has written about have said that he came to know them better than they knew themselves.  So you will have discovery,  fun and amazement waiting for you.

Please Give? "Frankly my Dear . . ."

This was not good at all.  There was no story, no characters were found in this empty echo chamber and there was no character development.  Just a cowpath through an alien (to me, at least) neighborhood in New York City, littered with a lot of cowpies and skeletonaceous people-thingys. Aberrant photography showed people awash in money that they made by creating it out of thin air, a woman who wanted to help people who needed help until she found them.  Then she could cathartize in a conveniently nearby toilet and become a spiritual-looking blank face with vacant eyes and the hint of a sad smile again .  Her pitiful husband was also a man of money without any visible means of making it, who would mindlessly dilly if he found an available dally and who wound up with a fabulously beautiful dalliance but there was more gritty than nitty there so he quit her - no prob - SHE was at fault -  bad girl was she  - he, honorable guy that he suddenly became -  for a moment  anyway - he cut her off -  REAL easy -  Really?  

Nasty people they all were with nasty words about each other.  They should know but why should we care?  Mean people they were.  People who all lived alone even though they lived in a big city in a busy neighborhood and a crowded building with people hanging on to them every where they were and everywhere they went.  There was a nice gal there and she found a nice guy, but there was a faint clockwise swirl about their relationship and its future already showed signs of pixilation. 

Go.  Go back.  Start all over again.  Get a writer.  Get a photographer.  Get an editor.  Get a director. Then try again.  And pray you can get a story this time, and then tell the thing.  Bring some dimensions together and create something with bright sparks.  Find some characters who have more than a simple skin-covering.  Enjoy the writing and filming of your story.  Love it.  Live it. Make it come alive, make it live, let it fill us all with joy or astonishment, perhaps a sense of fulfillment  or let it teach us lessons of life or show us amazing things, instead of simply a firm resolve to go out and become a psychotherapist.

There is no excuse to make a movie this bad.  And if you do, then trash it.  I know there are people who will sit around and say “Well, this really wasn’t THAT bad, after all making movies is hard”.  That’s true, but WATCHING them shouldn’t be THIS hard.


BUT - in one respect the movie was FANTASTICALLY GOOD!  It's the first movie I have seen in a long time that had NO CIGARETTES!  Obviously could not have been made in America.

Strange Light

The light lies strangely on the land today.


Summer's heat still rises from out of the ground

and summer clouds still float through a summer sky

and we pretend we didn’t see

the mistakes that Summer made today,

and we don’t say a word, not out loud we don’t,

but the light lies strangely on the land today.

The-DOC-tor

I went again to see a doctor.  This time a skin dude.  A dermatologist.  I prepared for the visit well.  Went over my past logs, compiled a list of questions and other subjects about which I wanted to seek her opinions.

The day came.  I went in well prepared with a briefcase filled with files, folders, papers, even my iTouch and of course my glasses.  I was let into a small examination room.  The nurse who led me in took down some information then told me to take off all my clothes except for my underwear and to don a paper “robe”.  Then she left quickly - perhaps before I could rip my clothes off and shock her in my underwear.

Now, all alone in the room, I wondered what I could do with my clothes?  I still had them on and was ready to take them off, but then what?  I could put them on the examination table, or in the sink, or on the floor.  I must be the first person ever to have taken any clothes off in this room, there was no place to put them.  Apparently no one had ever thought of this.  Every doctor in the country ought to HAVE to go in one of their examination rooms and take off all their clothes!   For a moment I wondered if most people come into the waiting room naked.  But I quickly let that idea go.  So I put my briefcase against the wall, put my glasses and iTouch in there because I didn’t want them to get stepped on or sat on, then I removed my shirt, folded it up and put it on top of the briefcase.  My shoes were next to come off and they went against the wall next to the briefcase. Then I took my socks off, rolled them up and put them on top of the shoes.  Then I removed my trousers, folded them carefully in thirds so nothing would fall out of the pockets and placed them on top of my socks and shoes.  


Finally I donned the paper ‘robe”  and perched on the end of the examination table, my bare feet dangling in thin air, looking like a character who might have escaped from an “Alice in Wonderland” stage.  Instead of being an intelligent human being conferring  with an expert they have hired to help them work together and solve a problem, I have become a specimen in a bottle.


Someone knocked on the door.  

I figured it must be the janitor coming in 
to clean up and wanted to make sure no one is inside.  
So I said “Occupied”.  


The door opened anyway, but instead of the janitor, it was the nurse who had left just a few moments earlier and now she had with her a  young lady who appeared distraught.  Together they looked very serious.  For an instant I was transported back to grade school - here comes the teacher,  entering detention room with the student I had supposedly wronged earlier.  Then I figured - no - this is the doctor and they have found something in my records that is very bad news.

The new young lady delicately offered her hand limply to me as if an invitation to kiss it.  I was afraid that would offend her though, so I just touched it with mine carefully so I wouldn’t hurt her.  She hugged her clipboard to her chest and clasped both of her hands together in a helpless gesture and sadly bit her lower lip. She clearly was saying in body language, “I am SO sorry”.  The nurse looked hopelessly sad.

The young doctor spoke to me.  “How-ARE-you?”  She spoke louder than most people would when talking in a  room no more than four by eight feet, and her words crawled out one at a time for singular inspection .  Clearly she has seen my age, and that’s why she is sorry for me, that’s why she is shouting at me.  “I-am-going-to-LOOK-at-your-BACK!”, she goes behind me.  Then, “I-am-going-to-OP-PEN-the-BACK-of-your-ROBE-now!”

Well, it got worse from there.  When I asked her about my arms, which have wrinkled skin filled with bruises and colored marks, she just gently touched one of those arms and shook  her head sadly.  “What can be done?”  I asked.  

“Nothing.”  She sadly said, still slowly shaking her head.  

“What causes that?”  I ask.

After a moment’s reflection she replies “Too-much-SUN-light.”  and then she added sadly “And-old-AGE.”  

I snatched my arm back from her.  “You don’t know, huh?”  I asked.

She pondered for a moment and then said that she “. . . has-a -prescription-that-doesn’t-COST-too-much-and-it-might-help.”


I told her that the skin was easily broken and that I couldn't use band-aids because the band-aids tore the skin when I took them off.  She sadly nodded her head, almost imperceptibly.  I asked her if she knew anything else I could use and she sadly shook her head, almost imperceptibly.  Then I told her that I had had miraculous results using a medication called "UrgentQR", a combination of hydrophilic polymer and potassium salt.  She had no reaction.  I told her that it healed the wound quickly and eliminated need for bandages.  She had no reaction.  I asked her if she had ever heard of "UrgentQR".  She nodded her head almost imperceptibly.  I asked her if she had an opinion on it.  She did not respond.  I asked her again.  She did not respond again.  I asked her again.  She did not respond again.  I asked her if she knew of anything better.  She seemed preoccupied in trying to find other problems.


The other questions I had were in my files, on my cliipboard, in my briefcase, on the floor, under my shirt, along with my iTouch and my glasses.  My bare feet still dangled. 

And the underwear?  Well, the way those two ladies moved that pitiful paper “robe” about across my body, I don’t think they even saw it.  In fact, I think I could have taken that off too, and they wouldn’t even have noticed.  Next time I go there I will take EVERYthing off, then don that paper "robe"  and see if they even notice what I did.  Now that I think a little bit more about all this though, I think I might go somewhere else next time.  

Temporary - part of Ch 39 "Into the Sun"

 . . . get off the bus at Pattaya Beach find a room at the Nippa Lodge and get to the beach in time to watch an orange sunset  spread through the sky and even cover the earth with orange light. 

Later  at the lodge I eat outside, in a dining room on a deck, up above the jungle with a nice view of the beach and the Gulf of Thailand. A delicious tomato-wine-mushroom-marinade-smothered-fillet with melodious dark red wine helps the evening turn into night under an unreal sky of slowly changing colors bright with orange, purple, shades of red reflecting from towering thunderstorm which have now begun to anvil out on top, and with a lonesome blue sky way up above it all.  Cool breezes from the bay fan the torches on the deck and ruffle palm fronds by the porch, bringing with them the salty scent of the sea.

Next morning I walk the beach at dawn, barefoot and shirtless, wading and swimming in water so clear that only the sky and the bottom can be seen, each alternating with the other as the morning light dances upon it. Smells of water, salt, fish and ancient heat caress my skin.  The ocean spins varying crests and troughs that swirl together and then part, and while rising and falling they  fill the morning with endless flashes of light.  

I walk the length  of the beach and watch the dhows slowly glide by, powered by their single small sail.  Other boats ply these shores with  engines that fire like a slow-hitting hammer firing only once each second. 

  

I eat lunch at the lodge, then board a bus and return to U-Tapao RTAFB. 


NOTE:  The book "Into the Sun" is now published.  For more info go:
http://web.mac.com/fauxtaographer/Into_the_Sun/Into_The_Sun,_Air_Force_Memories,_1956-1976,_John_Womack.html

Steinbrenner: Man With a Legacy.

George Steinbrenner died in Tampa today, July 13, 2010.  He took over a Yankee baseball franchise that was quickly becoming a second rate team.   All that changed when Steinbrenner took charge.  He gave the impression of being a ruthless, mean and dominating man.

I only saw him up close once.  That was about 1984 at the ball field in Tallahassee, Florida.  The Seminoles were finishing a practice game in early spring in preparation for their then annual game against the Yankees who were headed north after their spring training season ended.  Our eyes met in the mostly empty stadium and Steinbrenner starred at me from about twenty feet away like he was casting a drop-dead spell on me.  Then he reared back and said something to Lou Piniella (Yankee coach) and Dick Howser (Seminole manager), who were talking with him.  Howser waved to me and went back to the discussion.  Steinbrenner continued to stare at me.  I was already on my way out of the stadium on my way back to work after my lunch break, so I continued and left.  It was a cool day and I had left my coat and tie on, perhaps that’s what attracted attention, but I got a taste of a extremely powerful personality.  I can imagine that if you worked for him and he gave you that look and raised his voice, you could easily vibrate.

Looking back over his period of ownership, one can easily say that he brought out the best in his organization.  You could also say that he did it by spending lavishly and tossing more money into the game than most of the teams in major league baseball had available to them.  

Steinbrenner stands today as the figurehead of that which I see  being the great destroyer of all sport.  That is the subjugation of the game to the act of winning.  True, the intent of all games is to win, but the purpose is to play the game - that is the only way it can remain a display of skill, talent and ingenuity.  


Steinbrenner was only one of many who advocate winning at all costs, regardless of the money that may take, regardless of the effects on the players and of the other teams in the league, and regardless of what it does to the game itself.  There is no such thing as “sport” anymore. It is all big business now and the only rule that counts is to win at any cost.  May you rest in peace Mr. Steinbrenner, in that graveyard of sports which was so meticulously and expensively prepared by you and many others.

John Womack

Grandfather Mountain Biosphere Reserve

First of all, we had been  there before.  Twelve years ago.  And that’s why we hadn’t been back.  I still remember the black bears sitting in a great pool of obesity, and the rest of the visit was awash in mediocrity.  Later, I talked to Hugh Morton about carrying one of my books for sale in his museum shops.  He told me how many “good” photographers come to Grandfather Mountain who don’t need books telling  them how to make pictures.  I responded by telling him that most of the people who came through his stores were not “good” photographers and know they need help.  He didn't like that and told me so.   We never talked again.  I crossed the place off my list.

Times change though, and twelve years later, we took our twelve year old granddaughter up to the great kingdom in the clouds, and it was really nice.  The bears are now fed on schedule with carefully controlled portions and they also have “enrichment” periods which are spectacular to watch and make great photo, and especially good video opportunities.   This is also true for the other animals kept in this new Biosphere Preserve.  This includes a beautiful Bald Eagle, who sits here now to spend the rest of his days grounded because someone shot his left wing off someplace in Texas.  He will never soar again, but he will still look you in the eye.  You need to come see him.  He has something to tell you that you really need to hear.

There is a professional atmosphere emanating from the place now and the people working with the animals seem to know they are lucky to be here.  I was impressed all over again and will be back.  I urge everybody else to spend a magnificent day - preferably a HOT summer day  up on top of this beautiful COOL and enjoyable mountain retreat.  We were up there on a day it reached 100° in Hickory and it was COOL up there.  We took a picnic lunch, bought some souvenirs and made a lot of pictures.  We also took an out-of-town visitor to a place she didn't know even existed, and will remember the rest of her life.

To Hush a Mockingbird

Time goes by when you're having fun, especially when you sing a lot.  But man you gotta eat and what's a bird gonna do?   You gonna sing or eat?  So we decided to put on a songfest for the grasshoppers and cicadas.  And we put out the word, and they came to see the show, and we hopped on the stage and sang our hearts out and they sat on their damn hands, all six of them.  They didn't applaud, they didn't cheer, they sat there and ate their damn leaves.  So to hell with them.  We attacked.  What else could we do?

Viki Ryan at Fireman's Kitchen in Hickory

Viki Ryan. She sang at the Fireman’s Kitchen in Hickory on the night of June 18, 2010.   Hard to understand all her words but I have that problem with women anyway. Then  I began to notice her gestures and how well they accentuated her singing and bodily movements.  Some of the gestures had a hypnotic “fillip” on the point between it and the next one.  Her eyes seemed to be looking for someone special. Then I realized she was singing with her eyes too.  I had never seen that before. Sometimes when she was doing the “fillip” she would focus on a special person in the audience - then I realized she was looking at me when she did these things.  She was singing to me!  Wow.  That had NEVER happened to ME before.  I was fascinated.  So was everybody else,  including Nathan Hefner who accompanied Viki.  He was obviously having fun.  Well clearly I am not qualified to render a critique on Viki Ryan.  All I can say is that I enjoyed being with her, and everybody there obviously enjoyed having fun together.  Thanks Viki. I will remember that night we shared your stories together.  You made me feel special.

Picture will enlarge.

Oh Spring - We Will Miss You

Mornings in late spring were made just for chasing down a bouncing “Kong” in a field of  flowering sundrops.  The sun is already warm but the breezes are still cool.  Happy little fluff-clouds drift gaily by, beckoning dog and Kong-thrower to embark on their morning walk under the dark shade trees, thrilling their toes with the still coolish dew on the grass.  Later the hot day will find dog and master in a cool dark basement but for now it is time to gallop!  Next week comes the solstice and with it the heat of summer.

Footcandle Film Society - Alan Jackson

The Footcandle Film Society has become one of the defining elements of Hickory.  Its founder and leader, Alan Jackson, brings the wonder of the entire world in the form of movies to those who are fascinated by this art. It 's not just that the stories he brings before us are good, but that they are also the ones that we otherwise would never see or even know about, and we sometimes don't know what they will be until we walk in and sit down. (Even though it is posted at least a week in advance.)  It's like being in a good game of dice, we see the dealer (Alan) shake the cup,  we try to read his eyes, interpret his smile, and then as he rolls it out before us we rise from our seats to stare incredulously and then we say "Wow!"  Or maybe "What?"

Then comes the best part.  After the movie is over and the story has been told and the lights come back up again, the real magic happens.  Some of the people always get up and walk down the steps dusting themselves of popcorn residue as they make their way down and out.  Then the remaining audience congregate down toward the front and Alan and Chris Frye lead a discussion about the movie we have all just seen. Questions are asked, comments are made, puzzled looks abound, laughter is heard.  Art, real art now takes place.  Suggestions for improvement are made, critiques of possible missed opportunities are discussed, and in some fertile minds seeds are sown.

Hickory Art Crawl, Spring 2010

The weather was perfect.  There were even deep blue skies and little fluffy clouds.  A cool breeze played in the trees.  Temperature 71°, humidity 42%.  And from there things got better.  

Taste Full Beans Coffeeshop was well represented by fine artists.  I particularly liked Paul Gibson’s work which I found peaceful and I was also interested in his  use of color and composition techniques.  I also thought Susan Quinn’s work was interesting.  

Next we went to Full Circle Arts where we all voted for best in show, and then down to Union Square and wandered into some shops we had never even noticed before and were amazed at all the goods and services we have been missing.  Ah, the power of art strikes home again.  

Finally we started back.  But first we would run over to the rest of the show just south of the tracks.  

We went in the wrong door at Fanjoy Labrenz Photographers and stepped right onto the “stage” with Joseph Hasty & Centerpiece Jazz players.  Instantly the tone of the evening changed.  West coast jazz is not often heard around here but it fit this occasion perfectly. The wine and snacks served were a bit upscale as was the roast-in-a-pot which played in combo with perfectly made rolls.  This was the show not to be missed.

Finally we stopped by The Jackson Group and enjoyed meeting some of our friends in this architecturally-blessed work of art that has been filled with even more art.

Photopoetry

After a session with the poets of the piedmont, gathered in Taste Full Beans last night, I walked to my car parked in front of the Carolina Theater.  It was a cloudy, cool evening and the light was fading quickly.  

But tricks were being played out there too, which only the light can do and it is at it’s best when you aren’t really paying attention.  Suddenly I saw it. “Stop!” I shouted, “Stop! - Let me focus!”  

 pulled my camera out and quickly made setting changes then I shot and shot and shot and then - it was over.  Gone. Good things flash before they go.  Then they go.  

The night changed.  Now it was dark.  Spirits came out.  I only work with demons that can be seen, so I went home.  But magic had happened.  Not entirely unlike poetry.

HCT Same Time, Next Year

“Same Time, Next Year” is a clearly Implausible story - and that’s to say the very least.  It’s like a challenge to writers:  Here’s a plot that is impossible - can you make it believably realistic?

No way that could happen.  But it did.  Good writing, fine directing and excellent acting turned this Hickory Community Theatre production into an enjoyable and exciting evening in the Firemen’s Kitchen.   

The play unfolded in a series of scenes that took place over twenty-four years,  and the two actors portrayed their characters as they grew and developed and lived out their lives and this all took place with one amazing twist after another.   In a different way the play read like a quick visit through the lifetime of most of the audience in attendance, almost all of whom were old enough to have seen all of the background against which this unreasonable but captivating story took place.   

The play has to be one of the all time great vehicle for two actors to display their talents.  Denise Bernstein played Doris and George Page played George so beautifully and passionately that now I will HAVE to see every play from here on out with either Denise or George in it.  It was obvious that they were having fun and enjoying the play as much - actually more than the characters they portrayed possibly could have. And it was not just good acting.  The entire ensemble was well knit, the background images provided continuity and anticipation.  

One final word about the Firemen’s Kitchen - It is wonderfully great to sit down at your table with four chairs and meet two new people, strangers to begin with, who will share this evening with you.  Then to depart  and leave with two new friends.  That’s Hickory - the Friendly City.

One final, final comment:  the beer served in the theatre is not inspired.  Get off the Budweiser thing.  You have a lot of good beer just around the corner at  the Old Hickory Taproom.  They will probably be glad to help.  Turn each of these evenings into a REAL Hickory happening.

Latino Street Festival in Hickory, NC

A Latino Street Festival took place this afternoon behind the P. E. Monroe auditorium on Lenoir-Rhyne University in Hickory, NC, this afternoon.  Mainly catering to young adults, but also with a significant number of kids just approaching school age, the festival was lively, rhythmic, catchy and Loud. Most of the younger kids gravitated toward the rubber buildings that swayingly contained various thrills and excitement. College agers were on the street dancing and laughing.  Most of the adults and "old" people headed for the shade and inserted their ear plugs - but - no problem!  They could still hear (and feel!) the beat, and they were mostly occupied with other kids, who were far too young to go near the swaying rubber buildings or to dance in the street but nonetheless showed amazing signs of rhythm by waving their little arms and legs in time with the beat.

Julia Alvarez in Hickory

Julia Alvarez presented as one of the Visiting Writers Program at Lenoir-Rhyne University in Hickory last night, April 16, 2010.

Born in NYC, then raised in the Dominican Republic, she and her family returned to NYC after the dictator Rafael Trujillo continued his search for total power over the country.  One of his targets was Julia's father who was a physician. Ms. Alvarez then lived with her parents and three sisters in a small apartment which contrasted with the large compound they had enjoyed in the Dominican Republic.

She remarked how a sixth-grade English teacher changed her life by encouraging her to read  books and even challenged her to begin writing.  She also points out how she had come from an oral tradition in the DR to a very literate culture in America and how her mixing those two traditions or cultures has affected her writing.

One of her books "How the Garcia Girls Lost their Accent" had been selected for the "Big Read" here where many people in the Hickory community and various schools here have provided the book for people to read and discuss in literary groups.  Now this  year's "Big Read" ends with Julia Alvarez here to cap the discussion with the community at P. E. Monroe auditorium on the LRU campus. The auditorium appeared to be largely filled. A question-and-answer session followed her presentation.

Crazy Heart at Footcandles in Hickory, NC

This is a story of the loneliest man in the world who wandered through a maze of other lonely people all of whom were finding happiness in pretending to be happy.  

Whisky highs and toilet bowl lows frame the boundaries of this story while "happiness" plays a distracted beat in the background, occasionally coming forward to scream and strut, then falling back again and collapse into its accustomed metronomic stupor while your attention is diverted to some newly detected pulse of life.  

The rhythm of action that sweeps through this movie rises and falls portending some incredible climax of consummate triumph, while an accompanying  counterpoint of left-handed melody suggests an impendingly awful disaster.  There is betrayal and there is friendship and loyalty beyond all reason. People come as shadows into this movie and some quickly flare while others slowly bloom and the story moves on, carrying them all along as Crazy Heart is eventually anointed and baptized with the reality he has tried to ignore.  Redemption surely cannot be possible for such as he.  Or is it?  What finally happens, at the end of the movie, is clearly the beginning of a new story.

The photography, in my humble estimation, was not good.  Throwaway stuff - filler - a lot of it was.  Really good close ups, reveling in great lighting and good acting but really just mediocre in between those shots.  Too bad especially given the beautiful region of the American southwest. Much of that done at noon as if to say "Hey man this is a Transition! Get another handful of popcorn, check your watch, see what time it is."  The music too.  The background music, had a way of telling you what was coming.  When you thought the worst was going to happen you could just tune into the music in the auditorium and if it was "so-so", then OK, no big deal.  They could have done better with this. And also - this is a country music movie, so why was so much of the background music done in non-country music?  A complicated plot this movie has and intended for a complicated audience.

Frankly, I don't know how anyone could do the acting job that Jeff Bridges did in this movie and ever function again as a normal human being. If he dies soon, we'll know what did him in.  If he does another one this good but different, then I don't know what we'll do.

Beef O'Brady's in Hickory, NC

I loved the "Real Deal Reuben" I got at Frankie and Johnie's in Hickory.  Now someone tells me the best reubens in town are at Beef O'Brady's.  Funny because the two restaurants are only about 200 feet apart.

So today I went to Beef O'Brady's and was amazed at the two gentlemen just inside the front door.  At first I didn't know what to do.  I said "Hi there!"  I guess that startled them and they froze.  But it was obvious that they had been all wrapped up in themselves, having a blast, tapping and singing and whirling around and all before I showed up.

I got my reuben and took it home to eat.  How was it?  Great!  Marvelous.  It was SO good that I will pay it the highest compliment I can think of by saying it was almost as good as the one I got from Frankie and Johnie's.

But here's the good news.  The two reubens were VERY different from each other.  Both excellent.  So I am going to have to go back again, first to F&J, then to BO'B. Now keep in mind these two places are 200 feet apart!  I would encourage you to join me in this experiment.  Please let me know what you think.  And regardless - you will enjoy this win-win-win-win scientific exercise!

NOTE:  Beef O'Brady's is no longer at this shopping center.  It may have moved or perhaps gone out of business.  Google still shows it in the same  place but it has been replaced by "Fin and Filet" which I have not tried.

Poetry Alive in Hickory - April Edition 2010

An auspicious meeting at Taste Full Beans tonight as Poetry Alive brought poetic justice to Hickory.  The slate was SO good that Ted Pope came by to provide a special ring of authenticity, and he didn’t even read.  The poetry was THAT good.

Helen Losse began by spinning her web of special magic with thoughts and feelings and glimpses into those things we too often miss because we are too busy.  We are aware that they are happening, but we really don’t pay attention to how they feel or how we feel when they are happening.  Then someone like Helen takes us back and shows those things again, and brings our attention to some of the details and we say “Oh, yes - I’ve been there too.  Now I remember.  I wish I had paid more attention.”  She shines a flashlight into our past and lets us enjoy those parts of our life that we had missed the first time around.

Anderson Obrien followed as open mike reader with some poems that I thought at first were just fragments of comments until another of her comments suddenly made the others fit together in a different way than I had expected and instantly I saw a picture that I had not seen comming.  And I could only just sit there and softly say “wow”.   This is a special blending of art and magic.

After Fernand Chandonet read some well syllabled pieces, the first featured reader of the evening, Harry Calhoun, from Raliegh, took over.  His work was a lot of fun.  It is obvious that he and his wife enjoy  their life and we all enjoyed his sharing of their surprising and happy discoveries, and their treasured memories of friends and parents. He tells us about life, and shows us how to notice it and to appreciate it.

The evening was completed by Tim Peeler who took us through a veil that normally separates a world we all know - kind of - the world of the small motel.  We  all have stayed overnight in these places many times.  Tim thoughtfully told us some things we never knew happened there - like why the water in the swimming pool wants to check out too, and what to say to those ghosts who inhabit the dark, vacant rooms.

Beerology in Hickory, NC

This was a two part presentation beginning in the Catawba Science Center with a nice selection of snacks ranging from broccoli to oreos, along with spicy salsa, creamy cheese, carrot sticks and cookies.  Wow.  And beer.  I liked the first selection which was a hoppy clear thing, mouth-filling, creamy and delightful with three nice tastes that I enjoyed.  This was a “home-brew” by the presenter of the first part of the program,  Hickory guy, Bobby Bush who received the national “Beer Drinker of the Year” award in 1998.  He clearly deserved that title and probably has improved with the additional seasoning.  

Then some of us boarded the Science Center van to ride to the Olde Hickory Brewing Company.  Several of us followed, intently focused in our own cars.  

Steven Lyerly, Brew-master, welcomed us into the center of his magnificent, shining stainless steel magic machines.  We were given hops to smell, toasted barley to taste, and we toured the inner sanctum of this place where miracles constantly bubble forth.  

He also provided four of the brewery’s products for us to taste .  We began with Piedmont Pilsner, followed that with Poor Richard's Ale, then Table Rock Pale Ale and finally Hickory Stick Stout.  All good.  All great.  

Meanwhile, Steven told us how these beers were brewed.  He went over the ingredients, how they were chosen and balanced to fit together harmoniously, and what seasoned beer drinkers anticipate and enjoy for when tasting beers like these.  

But now - normally, beer is not served at the Catawba Science Center or at the Old Hickory Brewery.  So what is a poor pilgrim to do?  For starters there is the Old Hickory Taproom, which is about a block away, but across the railroad tracks, and which highlights the products of this brewery.  Then there is Amos Howard.  Who?   Well, that’s another story.  Steven can fill you in.  But first, go to the Old Hickory Taproom.  There everything will become clear.

Celtic Crossroads in Morgantown, NC.

Thursday, March 18, 2010, and the Celtic Crossroads are performing in Morgantown at CoMMA. En-route to Charlotte and the rest of the world, this group had performed on Wednesday in Michigan then spent Wednesday night and all day Thursday driving 850 to Morgantown to strike sparks all over that fair city.

Guitars, violins, banjos, drums, an Irish harp, a whistle and a horn.  Wow.  Lots of music, startling rhythms and amazing dance steps.

 The high spot of the show apparently was the dancers, Sineat Mcgeachy and Marcus Donnelly. They made several appearances during the show  and the last one brought down the house, also seemed to entrance their fellow performers who gazed in amazement particularly at Mr. Donnelly's incredible virtuosity and appeared lost in admiration - as was the rest of the audience.